• The Piano Festival features both guest and Lee University faculty artists with comprehensive music backgrounds.

    Guest Artists

    Mack McCray

    Mack McCray

    Piano Department Chair at the San Francisco Conservatory of Music

    Mack McCray, born in California in 1943, studied at the Juilliard School in New York with Irwin Freundlich from 1963 to 1971. In the single season of 1969-1970, McCray won first prizes in the San Francisco Symphony's International Young Artists Competition and the Charleston Symphony Competition; Silver Medal at the International Enesco Competition in Bucharest, plus a special award for best performance of a contemporary Rumanian work; second prize at the International Liszt Competition in Boston; an Italian government citation for his performance at the Giornate Musicale festival in Todi, Italy; grants from the Martha Baird Rockefeller Foundation and the Institute for International Education: and Juilliard's Edward Steuermann Memorial Prize. During that same season McCray made his first tour of Europe, including London, Vienna, Amsterdam, Hamburg, Brussels and Zurich, among other cities.

    Since that year, Mack McCray has performed around the world, notably at the Paris Festivale d'automne, at Seville's Great Interpreters Series with the Monte Carlo Orchestra at the UNESCO Festival of International Artists in Monaco, at Hong Kong's City Hall Concert Series, at the Bucharest Philharmonic Bach-Beethoven-Brahms Festival; and Boston's Fromm Foundation Concerts at Harvard. In 1972 McCray founded an international chamber music festival in Trogen, Switzerland and for many years was concert accompanist for the Metropolitan Opera soprano Teresa Stratas. His recording of John Adams' piano work Phrygian Gates (New Albion Records) was placed on the Best Recordings of the Year (1981) lists of both the New York Times and High-Fidelity-Musical America.

    McCray has performed with such conductors as Michael Tilson Thomas, Edo de Waart, Josef Krips, Leon Fleisher, Arthur Fiedler and John Adams. He has been an invited soloist at the American Liszt Society Conference in Eugene, Oregon, the New Orleans International Piano Festival, the Atlanta Festival of the Arts and the Honolulu Academy of Art's Sounds of Our Time Festival. In 1991 he gave the American premiere of John Adams' new work for piano and orchestra, Eros Piano at the Cabrillo Music Festival. Recently McCray performed with the Japan Philharmonic in Tokyo, on the all-Schubert series at famed Trinity Church in Manhattan, at the Carmel Bach Festival, and at the Los Angeles County Art Museum, as well as in Alaska and across the United States. He currently is Artistic Director of the Zephyr International Chamber Music Festival in Courmayeur, Italy. Since 1971 he has been on the faculty of the San Francisco Conservatory of Music.

    Visit Mack McCray's website.

    Enrico Elisi

    Enrico Elisi

    Associate Professor of Piano at Eastman School of Music; Artistic Director Musica Domani International Prize

    Enrico Elisi's interpretations have distinguished themselves for their “remarkable sensitivity, imagination and polish” (Baltimore Sun). Described by La Nueva España as “a true musician and a master of elegance, refinement and fantasy,” Elisi's approach to music-making has earned him a reputation for being eclectic. He has performed solo recitals and has been featured as soloist with several orchestras in the US and abroad, combining a busy concert schedule with workshops and masterclasses worldwide. A sought-after teacher Elisi leads a large class of successful international students at the Eastman School of Music. An active chamber musician, he began a collaboration with violinist Federico Agostini, a former leader of I Musici; Elisi has also been a frequent guest at several summer programs and has adjudicated a number of piano competitions (Tremplin International, Concours de Musique du Canada, Iowa Piano Competition, and Peabody Yale Gordon Competition); he also founded Musica Domani Prize—an international composition competition he presently directs.

    In Europe Elisi has appeared in prestigious venues such as La Fenice Theatre, Venice; Palazzo Vecchio, Florence; Bibbiena Theatre, Mantua; Pavarotti Opera House, Modena; Teatro Comunale and Sala Bossi, Bologna (Italy). He has also given recitals in Germany, Slovak Republic, and Spain. Recent performances in the Americas include recitals at the Banff Centre for the Arts (Canada), Weill Hall at Carnegie Hall, the New York Public Library, and the Third Lima Contemporary Music Festival, in Peru. In Asia, he performed in Korea, Taiwan, and China. Elisi has given master classes, workshops, and lectures at colleges and conservatories throughout the world, held a guest professorship at the China Zhejiang Art School in Hangzhou, China, and taught at Penn State University and University of Nevada.

    Elisi studied at the Conservatory of Florence, the world-renowned Incontri col Maestro International Piano Academy of Imola (Italy) and the Peabody Institute of the Johns Hopkins University, earning two diplomas, MM, and DMA degrees. Among his teachers were Lazar Berman, Boris Petrushansky, Alexander Lonquich, and Leon Fleisher.

    Elisi’s latest CD, Mozart Piano Album, has been released in 2011; a subsequent release in 2012 features Paul Chihara’s Two Images on Albany Records.

    Visit Enrico Elisi's website.  

    Shen Lu

    Shen Lu

    Multiple award-wining pianist; Gold Medal of the 2014 Hilton Head International Piano Competition

    A native of Jiangsu, Lu is a multiple award-winning pianist, acclaimed on four continents for his artistry, diverse repertoire and quietly charismatic performance style. Lu has appeared as guest soloist with the Cleveland Institute of Music Orchestra, Hilton Head Symphony Orchestra, Orlando Philharmonic Orchestra and New England Conservatory Philharmonic Orchestra, Belgium’s Orchestre Royale de Chambre de Wallonie and China’s Guangzhou Symphony Orchestra and Xiamen Philharmonic Orchestra.

    In addition to concerts in Beijing’s Central Conservatory Music Hall, Culture Center and City Hall, Lu has been heard in Carnegie Hall and Weill Recital Hall (New York City), Jordan Hall (Boston), Severance Hall (Cleveland), Los Angeles County Museum of Art, The John F. Kennedy Center for the Performing Arts (Washington, DC), Flagey Concert Hall (Brussels), National Concert Hall (Dublin) and Seymour Centre (Sydney). He has been a featured artist at the China International Piano Festival in Beijing, Piano Texas International Academy & Festival and New York’s PianoSummer at New Paltz, and has collaborated with the Sydney Trio and the Aurora and West Edge string quartets. Mr. Shen is especially interested in contemporary Chinese repertoire, and has presented works by Huang An-Lun, Zhang Shuai, Chen Peixun, Gao Ping and Tan Dun.

    Lu was awarded the gold medal of the 2014 Hilton Head International Piano Competition and the first prize from the 2002 Hong Kong Asia Open Piano Competition. Most recently, he was awarded The French Music Prize for the best performance of a French work at the 2015 Dublin International Piano Competition.

    Lu earned his Bachelor’s Degree from Beijing’s Central Conservatory of Music, having worked with Wu Ying. His Master’s Degree and Graduate Diploma were conferred by the New England Conservatory of Music, where, while studying with Alexander Korsantia, he was awarded the Beneficial Society Scholarship and was a prize winner of the concerto competition. His other principle teachers includes Li Siying, Huang Tiandong, Chen Zihua and his father, Shen Guofu. Currently Mr. Shen is pursuing his Artist Diploma at the Cleveland Institute of Music, studying with HaeSun Paik.

    Faculty Artists

    Ning An

    Ning An

    Artist in Residence at Lee University; Artistic Director of the International Piano Festival; Top Prize winner: Kapell, Queen Elizabeth,
    and Santander Competitions;
    international soloist and teacher

    Pianist Ning An, is a rare pianist who has been hailed as a musician who “combines a flawless technique and mastery of the instrument with an expressive power that is fueled by profound and insightful understanding.” (New York Concert Review) His top prizes from the Queen Elizabeth, Cleveland, and William Kapell Piano Competitions led to performances from Carnegie’s Weill Recital Hall, Salle Verdi (Milan), to the Great Hall of the People in Beijing, China. He has been invited to perform at numerous festivals, including the International Chopin Festival in Duszinski, Poland, the Gina Bachauer Piano Festival in Salt Lake City, New Hampshire's Monadnock Music Festival, the Bourglinster Festival in Luxembourg, and the Interlaken Music Festival in Switzerland. A passionate chamber musician as well as soloist, Mr. An has performed with groups such as the Ysaye, Daedalus, and Takacs Quartets as well as instrumentalists James Buswell, Paul Neubauer, Andres Diaz and Soovin Kim.

    Since making his orchestral debut at the age of 16 with the Cleveland Orchestra, Mr. An has been a featured soloist with orchestras such as the London Symphony Orchestra, Moscow Radio Symphony Orchestra, Baltimore Symphony, the Stuttgart Philharmonic, Tivoli Symphony Orchestra, the Belgian National Symphony, the Flemish Radio Symphony, the Beijing Symphony Orchestra and the Taipei Symphony Orchestra under the batons of conductors such as Vladimir Fedosseyev, Jorg-Peter Weigle, Rafael Fruhbeck de Burgos, etc. Mr. An was also a featured soloist during the 100th Anniversary American Tour made by the Warsaw Philharmonic and Maestro Kazmierz Kord.

    Ning An has also been a top prize winner of the Paloma O’Shea Santander Competition, the Tivoli International Piano Competition, the Rachmaninoff International Piano Competition and the Alfred Cortot Prize winner of the International Chopin Piano Competition.

    Mr. An began his musical studies at the Cleveland Institute of Music with Olga Radosavljevich and Sergei Babayan. Subsequently, Mr. An continued his studies under the tutelage of Russell Sherman at the New England Conservatory of Music.

    A frequent guest lecturer himself, Mr. An has given masterclasses throughout the United States and Asia. Currently he serves as the artist-teacher on the piano faculty of California State University, Fullerton and as a visiting artist at Lee University in Cleveland, Tennessee. He is a Steinway Artist.

    Cahill Smith

    Cahill Smith

    Assistant Professor of Piano at Lee University

    Born and raised in rural Alabama, pianist Cahill Smith began playing at age 10. Six years later, he made his orchestral debut with a local orchestra. Cahill has given recitals in major venues in the United States and abroad, including three programs in three years at Carnegie Hall’s Weill Recital Hall (2013, 2014, and 2015), the PolyTheater in Chongqing, China, the Isabella Stewart Gardner Museum’s Calderwood Hall in Boston, Cleveland Museum of Art, the Royal Dublin Society’s Concert Hall, Kodak Hall, Kilbourn Hall, and Hatch Halls at the Eastman School of Music, the Aspen Music Festival’s Harris Hall, Stamps Auditorium and the Britton Recital Hall in Ann Arbor, Michigan, Minneapolis’ Orchestra Hall, and Birmingham’s Alys Stephens Center. Cahill has been featured as a concerto soloist with the National Ukranian Symphony Orchestra in Kiev, the Eastman Philharmonia, the Alabama Symphony Orchestra, the Mississippi Symphony Orchestra, the Montgomery Symphony Orchestra, the Shoals Symphony Orchestra, and others. 

    Cahill’s programming of works by little-known Russian composer Nikolai Medtner has attracted the attention of audiences and critics. Cahill made his Carnegie Hall debut in 2013 with an all-Medtner program of solo piano music, songs, and chamber music in Weill Recital Hall, and gave a lecture-recital on the composer at Yale University. In a review of his 2015 Carnegie Hall Recital, New York Concert Review wrote, “The entire second half was devoted to a special “cause” of Mr. Smith: the piano music of Nikolai Medtner […]. Here, Mr. Smith was in his element, revealing every twist and turn, every poignant repeat of the cyclic themes, with beautiful shimmering colors I haven’t heard since Gilels played the Sonata reminiscenza in Carnegie Hall in 1980. Of another performance in 2011, the East Hampton Star wrote, “The unexpected gems of the afternoon were two of Nikolai Medtner’s Vergessene Weisen (‘Forgotten Melodies’), played by Cahill Smith. I was not familiar with these works, but in Mr. Smith’s hands they were absolutely endearing.” 

    Cahill completed his Doctorate of Musical Arts at the Eastman School of Music in 2014, where he served as the teaching assistant to Natalya Antonova. He was inducted into the honor society Pi Kappa Lambda for his academic achievements and contributions to the musical community at Eastman, and also won the Eastman Concerto Competition. He held three graduate teaching assistantships at Eastman, and was awarded the Prize for Excellence in Teaching. Cahill completed his Master’s degree at the University of Michigan with Arthur Greene, and his Bachelor’s at the University of Alabama at Birmingham with Yakov Kasman. Other influential teachers include Ann Schein, the late Betty Sue Shepherd, Ronald Shinn, and Margaret Moore.

    Cahill serves on the piano faculty at Lee University in Cleveland, Tennessee, where he is also a festival artist for the Lee University International Piano Festival and Competition in the summer. He is an active lecturer, competition juror, and masterclass presenter.

    Visit www.cahillsmith.com or www.facebook.com/cahill.smith for recordings, concert schedule, and more.

    Competition Chair

    Phillip Thomas

    Phillip Thomas

    Professor of Music and Chairperson of Musicianship Studies at Lee University

    An alumnus of Lee’s music program, Phillip Thomas returned to his alma mater as a keyboard instructor in 1977. Since then, he has filled a number of roles, including classroom and studio teacher, accompanist, ensemble director, and administrator.

    Currently, his teaching responsibilities include Music History, Performance Practice and Piano. Thomas also chairs the Department of Instrumental Music and serves on a number of University committees. For the past two years, he has led the Steering Committee of Lee’s Piano Festival and Competition since its inception.

    Thomas has served as adjudicator for a variety of competitions on the local, regional, and international levels. His students often receive the highest ratings; some have won their respective divisions. Thomas is listed in Who’s Who Among American Teachers.

    A year after graduating summa cum laude from Lee, Thomas completed the master’s degree in piano from the Peabody Conservatory. He later completed the Ph.D. degree in Music History from the University of Cincinnati, where he was the recipient of a full-tuition scholarship and an assistantship in Music Theory. His dissertation was entitled Music for One or More Alternately Tuned Acoustic Pianos, 1920-1993: Trends in Melody, Harmony, and Technique.

    In 1996, Thomas founded the University’s Orchestra, after serving as founding conductor of a community string orchestra for several years. He studied conducting at the Institute Provençe-Aubagne in France with Yves Cohen, a student of Leonard Bernstein and Seiji Ozawa.

    Off campus, he has served as board member for the Tennessee Music Teachers Association and Chattanooga Youth Symphony. In the 1980s, he was keyboardist for the Chattanooga Symphony Orchestra and has appeared with them on numerous occasions since. Thomas has also served as reviewer for several college textbooks, including the second edition of Douglass Seaton’s Ideas and Styles in the Western Musical Tradition, published by McGraw-Hill. For the past several years, he has been staff pianist for the Mount Paran North Church of God just outside Atlanta, GA.

Music Events Calendar

Faculty Brass Quintet
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Pangle Hall
Faculty Brass Quintet
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