For over sixty years, Campus Choir has been a Christ-centered auditioned touring choir, performing at the university as well as across the Eastern United States and international venues. Within Campus Choir is Power Unlimited, a traveling worship-based ensemble of vocalists and instrumentalists.
THE EARLY YEARS OF MUSIC MINISTRY. In the early forties in Sevierville, Tennessee, Bible Training School (BTS), which was to become Lee University, was deeply involved in music ministry. BTS sponsored The Church of God Hour on local radio, which featured a 40-voice mixed choir. During this period directors like Harold Cato, Y.H. Yates, and Roosevelt Miller led exciting choirs that were very effective in reaching their generation.
In the spring of 1958 A.T. Humphries divided the Mixed Choir into two distinct organizations – Touring Choir and Campus Choir. This means that Campus Choir is the oldest choral ensemble at Lee University. From this inauspicious beginning until the present, Campus Choir has maintained a vital musical witness. Campus Choir, always joined by the members of the Touring Choir, sang a variety of musical styles but its staple repertory was selection from the “Red Back Hymnal.” Dr. Delton Alford succeeded the founding director and served as director from 1963 to 1967. During his tenure, Campus Choir gave the first performance of the Handel’s Messiah by a Lee University choir. Alford soon established a new organization, the Lee Singers, and began a new direction for his tenure at Lee.
Dr. Jim Burns was appointed director of Campus Choir and served as director from 1967 to 1973 and 1974 to 1978. Dr. Burns continued the tradition of singing gospel hymns and hymn anthems and expanded the repertory. Shortly after his appointment as director, Campus Choir became a fully separate ensemble. During his tenure Campus Choir performed such works as Messiah, King David, Elijah, and What is Man? Under Burns’ direction Campus Choir made its very first recording - Nelson’s oratorio, “What is Man?” The choir continued to broaden its repertory by performing some of the contemporary Christian musicals of the era, such as “Love” and “Tell It Like It Is.” Jerry Long served as director from 1973 to 1974 and continued the emphasis on service music.
Dr. David Horton became the director of Campus Choir in 1977 and served his first tenure through the spring of 1980. During this time, Campus Choir continued its emphasis on service music and classical music. They performed Messiah with the Chattanooga Symphony Orchestra and Honegger’s King David as well as the contemporary Christian musical, Celebrate Life with special guest, Daniebelle Hall of Andre Crouch and the Disciples. In the spring of 1980, Horton was asked to serve as the Director of Music Drama. For the next two years he produced the musicals “You’re a Good Man, Charlie Brown,” “The Music Man,” and “The Wizard of Oz.” “The Wizard of Oz” featured Brian Green who went on to star in two Broadway musicals – “Big River” and “Space Mites.”
Dr. Phillip Thomas served as director from 1980 to 1983. During his tenure the choir performed Vivaldi’s “Gloria” with orchestra, as well as a wide variety of musical styles from the then currently popular disco to hymn anthems, to classical music.
Dr. David Horton was appointed as director of Campus Choir for a second tenure in 1983. Beginning with an enrollment of 58 students, the choir began a period of remarkable growth. Over the next few years the choir grew to an enrollment of 150 students. Dr. Horton realized that the choir was becoming larger than he could efficiently handle, so the decision was made to require auditions and to limit the size of the choir. At about the same time, the choir began to travel to churches in the surrounding area to sing.
Another influence at this same time was the creation of Choral Union with the purpose of performing the great oratorios. The first performance of Choral Union was conducted by Horton, and the music chosen was Handel’s Messiah accompanied by members of the Chattanooga Symphony. Since Choral Union was formed to allow all the music majors to perform the great oratorios and other choral masterpieces, this meant that Campus Choir was no longer needed for that repertory. Because of the need to redefine the purpose of Campus Choir, worship music and ministry became the primary focus of the Lee University Campus Choir.
While the focus of our ministry is and always will be the Lee University campus, the choir has had the wonderful opportunity of ministering throughout the United States and in other countries. Campus Choir and Power Unlimited (a small ensemble from the choir) have had the opportunity to sing at some of the leading churches in America, such as: the Brooklyn Tabernacle in New Your City with Pastor Jim Cymbala; Central Baptist in Hixon, TN, with Pastor Ron Phillips, Christ Church in Nashville, TN, with Pastor L.N. Hardwick; Free Chapel in Gainesville, GA, with Pastor Jentzen Franklin; Times Square Church with Pastor David Wilkerson. (Having listed these large and well-known churches, it is important to note that Campus Choir values the opportunity to sing and minister in the smallest churches as eagerly as the largest.
Power Unlimited, whose members are selected from the choir, was formed for the express purpose of combining music and missions. In 1990 Power Unlimited became the first Christian musical group to minister in the Eastern Bloc countries of Yugoslavia, Bulgaria, and Romania. The videotape that was produced on that trip has been seen around the world. Power Unlimited made a second trip to those same countries in 1991, teaming up with international evangelist Perry Stone for a series of crusades. In 1992 Power Unlimited traveled to the Island of Trinidad for a series of concerts and a music seminar.
In 1993 Campus Choir made its first missionary journey to Greece and Bulgaria where they performed with Radio and Television Orchestra of Bulgaria in a concert in the National Palace with soloist Phil Driscoll. The concert was, at the request of the overseer, Pavel Ignatov, a combination of classical and gospel music. The same trip featured an outdoor concert on National Culture day for an audience of 15,000 to 20,000 people. Following the concert, the choir and the leadership of the Church of God in Bulgaria had dinner with Juan Carlos, the King of Spain and Sophia his wife, The Queen of Greece. Subsequent mission trips have included Jamaica, Israel, Ireland, Wales, England, the Navaho Reservation in New Mexico, Ecuador, the Caribbean islands, Guatemala, Thailand, and Indonesia.
The choir has recorded a number of musical albums, including their first gospel album, Premier Edition. In 1984 we were given the opportunity to record a new Christmas project written by Lanny Wolfe, Sing Noel. Our first album with a companion video album was Let the Church Rise, with guest artist Judy Jacobs. Gabriel’s Song, A Christmas Musical written by David Horton and Michael Frazier was our most ambitious project to that point. It featured guest soloist Alvin Slaughter as the angel Gabriel. While recording Gabriel’s Song, Alvin Slaughter asked the choir to help him record his first album with Integrity Music, Revive Us Again. Short after that recording we had the opportunity to be a part of the choir for Ron Kenoly’s recording, Sing Out with One Voice. Tree of Light for Brentwood Music, God’s Glorious Church for Royal Tapestry followed in short order. JOY! has been one of our most popular albums and it continues to sell well to this day. Other albums and projects include Jubilee; the Year of God’s Favor with Spirit Sound Music, and Times of Refreshing with SpiritSound Music. And a recording is by Power Unlimited, Through the Fire. Then the choir recorded the project The Comforter Has Come, which combined the extraordinary arranging talents of Lee University graduate Bradley Knight. A live video recording of this project, performed at the North Cleveland Church of God, was done to commemorate the 100th anniversary of the Azuza Street Revival and the outpouring of the Holy Spirit. Then, under Pastor Jim Phillips’ direction, Campus Choir recorded Can’t Stop Praisin’, Exceedingly Abundantly, and Relentless Worship. All three are powerful anointed projects that demonstrate the “flat out” worship of Campus Choir.
Campus Choir and Power Unlimited have had the opportunity to perform with such outstanding gospel musicians as Steve Brock, the Crabb Family, Dino, Michael English, Joy Gardiner, Lari Goss, Natalie Grant, Danniebelle Hall, Larnell Harris, Mark Harris of 4Him, Judy Jacobs, Ron Kenoly, Babbie Mason, Donnie McClurken, Gary McSpadden, Gary Oliver, Alvin Slaughter, The Talley’s, the Lanny Wolfe Trio, and Vicki Yohi.
Video recording include: Let the Church Rise with guest artist Judy Jacobs; Mission Bulgaria: Live from Sophia, Bulgaria (Yes, this is the one); Gabriel’s Song: A Christmas Musical with guest artist Alvin Slaughter; Sing Out: With One Voice recorded with Ron Kenoly for Integrity Music; Praise, Worship, and GLORY recorded live at Central Baptist.
From 1997 to 2002 Campus Choir ministered at a series of Church of God youth events called WINTERFEST. Campus Choir members will never forget that first Winterfest in Gatlinburg, Tennessee. They were all so excited. Many of the choir members had attended Winterfests many times and found it almost hard to believe that they would be on stage singing to so many young people. They had prayed for God to give a real breakthrough; in point-of-fact, four of the last six rehearsals had turned into prayer meetings. It was the second of two performances that night. The last song was Lead Me, Lord, and as Campus Choir sang the last a cappella section, the young people began to run to the altar. In a matter of a few minutes the entire audience was kneeling and praying all over the auditorium. God had given a breakthrough that cannot be described. Do it again, Lord! In 2006, Campus Choir was once again invited to sing at the Smokey Mountain Winterfest in Knoxville, Tennessee.
Over the last several years Campus Choir and Power Unlimited have had the opportunity to appear on Celebration on the Daystar Network with Marcus and Joni Lamb, Praise the Lord with Dr. Paul Crouch and International Evangelist, Perry Stone on the Trinity Broadcasting Network (TBN), and Camp meeting Live with David and Barbara Cerullo the Inspiration Network (INSP).
Dr. Horton’s wife, Virginia, has been central to this ministry over the past 25 years performing on recording projects, working with students both in sectionals and on an individual basis and has been a constant supporter of the ministry of Campus Choir. She truly is the first lady of vocal music at Lee University.
On May 8, 2006 while on tour with Campus Choir to the Bahamas, Dr. David Horton, direct of Campus Choir for the past 25 years was called home by the Savior to his eternal reward. The last performance by Campus Choir for the 2005/2006 School year was Dr. Horton’s memorial service, held Saturday, May 13th at the North Cleveland Church of God. Tributes were made by students, faculty, colleagues, and friends. Central to this tribute was the singing of the choir of The Comforter Has Come, Lord You’re Holy, and Total Praise. Dr. Horton’s legacy of teaching others how to utilize music in Praise and worship and that of living a life solely dedicated to ministry will forever go forward in the lives of all the students he mentored in his many years as director of Campus Choir.
In July 2006, Dr. Mark Bailey was appointed director of Campus Choir by Paul Conn, President of Lee University. Dr. Conn wrote in the official announcement of this appointment that,
Dr. Bailey’s ministry and career parallels Dr. Horton’s in many important respects. Like Dr. Horton, Dr. Bailey did his doctoral work in music education, and both had extensive experience with church choirs. Dr. Bailey has a wonderful vision for heartfelt worship in music. He understands what it means to listen to the voice of God, and his primary focus has always been to use music to lead people to God’s throne in worship.
In May 2007, Pastor Jim Phillips was appointed by Dr. Conn as director of Campus Choir. As Music Pastor at Princeton Pike Church of God for 30 years, Pastor Jim developed a reputation as being a powerful worshipper with the God-given gift of leading those involved in his ministry, along with the congregation, into God’s presence in a powerful way. The anointing on his life has also been developed and displayed in writing and arranging.
During Pastor Jim’s first semester with Campus Choir, the choir celebrated their 50th reunion. During a worship service in that reunion, God established that He had orchestrated and directed the appointment of this director. Virginia “Mama” Horton gave a powerful WORD from the Lord and her personal endorsement of Pastor Jim and Johnna as the new directors of Campus Choir stating that the Lord had told her he was sending Joshua to carry the torch after Moses was gone.
Pastor Jim and Johnna’s desire, along with the past and present members of Campus Choir, was to perpetuate the legacy and calling and anointing that God placed on this group through the powerful leadership of Dr. David and Virginia Horton.
During Pastor Jim’s time with Campus Choir, the choir traveled on two medical missionary trips to Ecuador and one to Guatemala, a mission trip to the Caribbean islands, Ireland, Scotland and England, a summer tour on the North East Coast, a mission trip to the British Virgin Islands, and to Thailand and Indonesia where they were guests for Empower21Asia.
The Fall of 2020 brought much challenge around our world with the COVID-19 pandemic. Additionally, during this time the next shift occurred in the leadership of Campus Choir. A new faculty member to Lee University, but not one new to worshipful and passionate worship choirs, Dr. Luke Gambill was installed as the next director of Campus Choir. After close to 20 years full-time creating worship choir resources for the church and also as an arranger and choir director, Dr. Gambill, a 3rd generation COG “preachers’ kid,” has brought his years of experience and musical excellence to Campus Choir. During his first semester, during the pandemic when we could not travel, a three-song EP was recorded in Nashville and on campus, and an acapella Christmas arrangement was both recorded and a video filmed. To date, this acapella video had been viewed approximately 17,000+ times, was featured on Chattanooga’s Channel 9, as well as its audio and the EP all available through the major streaming and download services. Even through the challenges, it has been apparent that God is far from through with Campus Choir. Our rich story in worshipful song continues!
Power Unlimited
Power Unlimited is a small worship leading ensemble out of Campus Choir representing Lee University. Traveling all around to various church camps and church events, PU exists for music and missions, seeking to exalt Jesus Christ through music.
Dates Coming Soon!
- Austin Arnold
- Chandler Beaver
- Cole Hardman
- Hasani Hunt
- Josh Johnson
- Josh King
- Jeremiah Allen
- Brianna Anderson
- Alyssa Ballinger
- Christian Brannock
- Emma Elliot
- Bella Gang
- Maddie Hodges
- JD Judd
- Caroline Marshall
- Peyton Slover
- Brett Waters
For over sixty years, Campus Choir has been a Christ-centered auditioned touring choir, performing at the university as well as across the Eastern United States and international venues. Within Campus Choir is Power Unlimited, a traveling worship-based ensemble of vocalists and instrumentalists.
- Sunday, 2/11: New Hope Church AM (Sevierville, TN)
- Sunday, 2/11: Purpose Church PM (Sevierville, TN)
- Saturday, 2/17: Saraland, AL
- Saturday, 2/18: Saraland, AL
- Friday, 3/8: Family Worship Center (Beckley, WV)
- Sunday, 3/10: Heritage Community Church AM (Severn, MD)
- Sunday, 3/10: Charm City Church of God PM (Baltimore, MD)
- Monday, 3/11: Recording with Ryan Horton in Times Square (Manhattan, NY)
- Tuesday, 3/12: Azalea Garden Church of God (Virginia Beach, VA)
- Wednesday, 3/13: River Oak Church of God (Danville, VA)
- Sunday, 3/17: North Cleveland Church of God (Cleveland, TN)
- Sunday, 4/14: Fort Mill Church of God AM (Fort Mill, SC)
- Sunday, 4/14: Woodruff Church of God PM (Woodruff, SC)
- Saturday, 4/20: North Georgia Women’s Conference (Buford, GA)
- Sunday, 4/21: Christ Chapel (Macon, GA)
If you are interested in booking Campus Choir or Power Unlimited for your service or event, or have any general questions at all, please contact the director, Rhea Marshall, at [email protected].
At the beginning of every semester, Campus Choir will hold auditions for prospective members. We ask that you come prepared with a song of your choosing (preferably a worship song or hymn). As an additional part of the musical portion of the audition, we will ask you to do some pitch matching, as well as determine your vocal range. Last, there will be a Spiritual Life interview to hear about your Christian walk and what worship means to you.
If you have questions about the audition process, or any general questions at all, please contact the director, Rhea Marshall, at [email protected].
In addition to traveling many weekends and to other events, our regular rehearsals are MWF at 12:20pm-1:10pm. Additionally, Wednesdays from 4:30-5:30 are set aside for sectionals, and Wednesdays from 5:45-7:15 are set aside for prayer meetings.
- Brianna Anderson
- Alyssa Ballinger
- Abi Belcher
- Megan Chess
- Heather Cox
- Ava Donahue
- Emma Elliott
- Kate Faulk
- Emma Geren
- Ashlyn Kirtner
- Rebekah Lee
- Abbie Litchfield
- Bethany Marsh (section leader)
- Moriah McDonald
- Emily Miller
- Markhena Robins
- Lillian Rogers
- Peyton Slover
- Taylor Stach
- Emma Thomas
- Maddy Thomas
- Tori Turton
- Halie Wheat
- Essence Whisel
- Allison Yarbro
- Noelle Algood
- Kaytlin Arwood
- Madeline Arwood
- Maddie Barrentine
- Naomi Bucciarelli
- Faith Cox
- Elaina Dover
- Olivia Forrester
- Katie Fuentes
- Bella Gang
- Hannah Greer
- Sarah Hillock
- Maddie Hodges
- Caroline Marshall
- Kylie Mascia
- Molly McAlister
- Avery Moore
- Kiley Moore
- Mariah Moore
- Rhiannon Nicoletti
- Anna Nyberg (section leader)
- Kate Marie Powell
- Lauren Tolle
- Haylee Vernon
- Peyton Whitworth
- Jeremiah Allen
- Caleb Alley
- Christian Barrentine
- Emma Booth (section leader)
- Christian Brannock
- Owen Forrester
- Micah Hughes
- Olivia Kaloyannides
- Micah Lyon
- Jacob Maggard
- Michael Stafford
- Chandler Verhine
- Will Wheeler
- Katherin Bragg
- Aubrianna Brown
- Ainsley Donahue
- Sammy Fennema
- Caleb Harold (section leader)
- Noah Janiszewski
- Ashlynn Jefcoat
- JD Judd
- Hannah Kendrick
- Blake Parker
- Benito Rodriguez-Nunez
- Linden Smoyer
- Kaleb Swanner
- Brett Waters
- Justin Winsbro
- Austin Arnold
- Chandler Beaver (MD)
- Cole Hardman
- Hasani Hunt
- Josh Johnson
- Josh King
- Nathan Cress
For students planning to pursue careers as music teachers, choral directors, or band/orchestra directors in elementary and secondary schools, this degree provides the pedagogical and musical training necessary for effective careers in education. The program meets the Tennessee Department of Education’s requirements for K-12 music education certification.
Applied Music Study: Music study at Lee includes individual concentration in an applied performance area including piano, voice, guitar, strings, percussion, and all wind instruments. This is provided through private instruction on the specific instrument throughout the course of the degree program. Performance is also emphasized through experiences in instrumental and/or vocal ensembles and chamber music opportunities.
Career Opportunities
- Elementary Music Teacher
- University Music Professor
- Collaborative Pianist
- Band Director
- Choral Director
- Orchestra Conductor
What to Expect
Hub/Support/Tutoring
HUB
Travel/Global Trips
- Music History Global Perspectives Trip
- Japan Global Perspectives Trip
- Domestic and International Ensemble Tours
- Schumann Liederfest in Zwickau, Germany
Club/Social
- The National Association for Music Education (Collegiate Chapter)
- Lee University Percussive Arts Society
- Commercial Music Society
- American Choral Directors Association
- Composer's Forum
- Phi Mu Alpha (Sinfonia)
Awards/Honors
- Pi Kappa Lambda Music Honor Society
- Dean’s Student Advisory Council
- Presser Foundation Undergraduate Scholar Award
- Senior Honors Recital
- Concerto Competition
Capstone
The Capstone course is designed to help graduating students integrate their faith with the academic knowledge they have gained throughout their studies. It is regarded as the final reflection of the essential Core Values of Lee University.
Home/Location
- The School of Music operates in teaching and performance spaces around campus. As a music major each student has the opportunity to study and perform in wonderful surroundings including:
Curtsinger Music Building offers classrooms, instrumental and choral rehearsal rooms, private lesson studios, practice facilities, dedicated piano and harpsichord practice rooms, Music Resource Center, and Class Piano Lab. - DeVos Center for the Humanities contains the Squires Recital Hall, private lesson studios, music education classroom, practice, and facilities.
- Pangle Hall has Pangle Hall Performance Hall, ensemble rehearsal rooms, private lesson studios, and practice rooms.
- Students may also utilize the Studio, a state of the art recording studio, music technology lab, and student project workspaces.
Internships/Practicum
- Although all of the music degrees incorporate practical application and extensive performance opportunities as soloist and ensemble members, some of the degree programs have specific requirements that provide dedicated experience in the field.
- Music Education students complete hours of classroom observation in their methods courses as well as a student teaching professional semester, dedicated to full immersion in primary and secondary school settings.
Final Recitals / Final Projects
Each graduate of the School of Music completes a culminating project that aligns with the purposes and goals of the specific degree program. Students completing the Bachelor of Music Education will perform a 30-minute senior recital.
Arts/Performance
Performance is at the heart of the experience in the School of Music. This takes the form of solo performance opportunities, ensemble performances, ministry tours, and opportunities to attend recitals both on campus and in the community. The university provides exceptional musical experience on campus each semester including:
Weekly Performance Seminar
- Student Junior and Senior Recitals
- Presidential Concert Series
- Performing Arts Series
- Faculty Recitals
- Visiting Artists Masterclasses
Performance space
- Pangle Hall (seating capacity 650)
- Conn Center for the Performing Arts (1700)
- Squires Recital Hall (215)
- Dixon Center (490)
- The Chapel (300)
Instrumental Ensembles
- Brass Choir
- Chamber Strings
- Handbell Ensemble
- Jazz Ensemble
- Percussion Ensemble
- Saxophone Choir
- Small Jazz Combos
- Symphonic Band
- Symphony Orchestra
- Wind Ensemble
Vocal Ensembles
- Campus Choir
- Choral Union
- Chorale
- Evangelistic Singers
- Ladies of Lee
- Lee Singers
- Men’s Chorale
- Musical Theatre
- Opera Theatre
- Voices of Lee
Other
Lee University School of Music is an accredited institutional member of the National Association of Schools of Music (NASM). NASM has been recognized by the United States Department of Education as the agency responsible for the accreditation of all music curricula.
Want a Scholarship?
Lee University offers a wide variety of scholarships for all our schools and programs.
Bachelor of Science in Music, Emphasis in Music Business
This Bachelor of Science degree provides multi-disciplinary instruction to students desiring careers in artist management, promotion, publication, song-writing, or as a studio musician or entrepreneur in the music industry. This program combines coursework in the School of Music, the School of Business, and Department of Communication Arts to provide the student with well-rounded training and experience, setting a path for success.
Applied Music Study: Music study at Lee includes individual concentration in an applied performance area including piano, voice, guitar, strings, percussion, and all wind instruments. This is provided through private instruction on the specific instrument throughout the course of the degree program. Performance is also emphasized through experiences in instrumental and/or vocal ensembles and chamber music opportunities.
Career Opportunities
- Music Arranger
- Audio Engineer
- Record Producer
- Music Copyright Administrator
- Music Publisher
- Copyright Law
- Studio Musician
Student Successes:
What to Expect
Hub/Support/Tutoring
HUB
Travel/Global Trips
- Music History Global Perspectives Trip
- Japan Global Perspectives Trip
- Domestic and International Ensemble Tours
- Schumann Liederfest in Zwickau, Germany
Club/Social
- The National Association for Music Education (Collegiate Chapter)
- Lee University Percussive Arts Society
- Commercial Music Society
- American Choral Directors Association
- Composer's Forum
- Phi Mu Alpha (Sinfonia)
Awards/Honors
- Pi Kappa Lambda Music Honor Society
- Dean’s Student Advisory Council
- Presser Foundation Undergraduate Scholar Award
- Senior Honors Recital
- Concerto Competition
Capstone
The Capstone course is designed to help graduating students integrate their faith with the academic knowledge they have gained throughout their studies. It is regarded as the final reflection of the essential Core Values of Lee University.
Home/Location
The School of Music operates in teaching and performance spaces around campus. As a music major each student has the opportunity to study and perform in wonderful surroundings including:
- Curtsinger Music Building offers classrooms, instrumental and choral rehearsal rooms, private lesson studios, practice facilities, dedicated piano and harpsichord practice rooms, Music Resource Center, and Class Piano Lab.
- DeVos Center for the Humanities contains the Squires Recital Hall, private lesson studios, music education classroom, practice, and facilities.
- Pangle Hall has Pangle Hall Performance Hall, ensemble rehearsal rooms, private lesson studios, and practice rooms.
- Students may also utilize the Studio, a state of the art recording studio, music technology lab, and student project work spaces.
Internships/Practicum
Although all of the music degrees incorporate practical application and extensive performance opportunities as soloist and ensemble members, some of the degree programs have specific requirements that provide dedicated experience in the field.
Final Recitals / Final Projects
Each graduate of the School of Music completes a culminating project that aligns with the purposes and goals of the specific degree program.
Arts/Performance
Performance is at the heart of the experience in the School of Music. This takes the form of solo performance opportunities, ensemble performances, ministry tours, and opportunities to attend recitals both on campus and in the community. The university provides exceptional musical experience on campus each semester including:
Weekly Performance Seminar
- Student Junior and Senior Recitals
- Presidential Concert Series
- Performing Arts Series
- Faculty Recitals
- Visiting Artists Masterclasses
Performance space
- Pangle Hall (seating capacity 650)
- Conn Center for the Performing Arts (1700)
- Squires Recital Hall (215)
- Dixon Center (490)
- The Chapel (300)
Instrumental Ensembles
- Brass Choir
- Chamber Strings
- Handbell Ensemble
- Jazz Ensemble
- Percussion Ensemble
- Saxophone Choir
- Small Jazz Combos
- Symphonic Band
- Symphony Orchestra
- Wind Ensemble
Vocal Ensembles
- Campus Choir
- Choral Union
- Chorale
- Evangelistic Singers
- Ladies of Lee
- Lee Singers
- Men’s Chorale
- Musical Theatre
- Opera Theatre
- Voices of Lee
Other
Lee University School of Music is an accredited institutional member of the National Association of Schools of Music (NASM). NASM has been recognized by the United States Department of Education as the agency responsible for the accreditation of all music curricula.
Want a Scholarship?
Lee University offers a wide variety of scholarships for all our schools and programs.
Bachelor of Music in Music and Worship
This degree equips students for careers in the field of music ministries, whether as a music director in the local church or as a member of a creative team serving the worshipping community. Students will develop performance skills and worship concepts that will allow them to work effectively in a variety of ministry settings, utilizing practical applications to traditional and modern worship practices. A strong base of theological concepts rounds out the unique training for ministry.
Applied Music Study: Music study at Lee includes individual concentration in an applied performance area including piano, voice, guitar, strings, percussion, and all wind instruments. This is provided through private instruction on the specific instrument throughout the course of the degree program. Performance is also emphasized through experiences in instrumental and/or vocal ensembles and chamber music opportunities.
Career Opportunities
Music and Worship, Instrumental
- Choral Director
- Band Director
- Orchestra Conductor
- Professional Orchestra Member
- Composer
- Contemporary Artist
- Organist
- Music Ministries Director
- Children’s Music Director
- Music Ministry Assistant
Music and Worship, Piano
- Collaborative Pianist
- Contemporary Artist
- Organist
- Music Ministries Director
- Children's Music Director
- Music Ministry Assistant
Music and Worship, Voice
- Worship Leader
- Band Director
- Contemporary Artist
- Music Ministries Director
- Children's Music Director
- Music Ministry Assistant
- Professional Choral Singer
What to Expect
Hub/Support/Tutoring
HUB
Travel/Global Trips
- Music History Global Perspectives Trip
- Japan Global Perspectives Trip
- Domestic and International Ensemble Tours
- Schumann Liederfest in Zwickau, Germany
Club/Social
- The National Association for Music Education (Collegiate Chapter)
- Lee University Percussive Arts Society
- Commercial Music Society
- American Choral Directors Association
- Composer's Forum
- Phi Mu Alpha (Sinfonia)
Awards/Honors
- Pi Kappa Lambda Music Honor Society
- Dean’s Student Advisory Council
- Presser Foundation Undergraduate Scholar Award
- Senior Honors Recital
- Concerto Competition
Capstone
The Capstone course is designed to help graduating students integrate their faith with the academic knowledge they have gained throughout their studies. It is regarded as the final reflection of the essential Core Values of Lee University.
Home/Location
The School of Music operates in teaching and performance spaces around campus. As a music major each student has the opportunity to study and perform in wonderful surroundings including:
- Curtsinger Music Building offers classrooms, instrumental and choral rehearsal rooms, private lesson studios, practice facilities, dedicated piano and harpsichord practice rooms, Music Resource Center, and Class Piano Lab.
- DeVos Center for the Humanities contains the Squires Recital Hall, private lesson studios, music education classroom, practice, and facilities.
- Pangle Hall has Pangle Hall Performance Hall, ensemble rehearsal rooms, private lesson studios, and practice rooms.
- Students may also utilize the Studio, a state of the art recording studio, music technology lab, and student project work spaces.
Internships/Practicum
- Although all of the music degrees incorporate practical application and extensive performance opportunities as soloist and ensemble members, some of the degree programs have specific requirements that provide dedicated experience in the field.
- Students pursing a degree in music and worship complete an internship of 100 clock hours with an authorized mentor in a church or ministry organization.
Final Recitals / Final Projects
Each graduate of the School of Music completes a culminating project that aligns with the purposes and goals of the specific degree program. Students with the bachelor of music in music and worship will complete a senior worship project or 30-minute senior recital.
Arts/Performance
Performance is at the heart of the experience in the School of Music. This takes the form of solo performance opportunities, ensemble performances, ministry tours, and opportunities to attend recitals both on campus and in the community. The university provides exceptional musical experience on campus each semester including:
Weekly Performance Seminar
- Student Junior and Senior Recitals
- Presidential Concert Series
- Performing Arts Series
- Faculty Recitals
- Visiting Artists Masterclasses
Performance space
- Pangle Hall (seating capacity 650)
- Conn Center for the Performing Arts (1700)
- Squires Recital Hall (215)
- Dixon Center (490)
- The Chapel (300)
Instrumental Ensembles
- Brass Choir
- Chamber Strings
- Handbell Ensemble
- Jazz Ensemble
- Percussion Ensemble
- Saxophone Choir
- Small Jazz Combos
- Symphonic Band
- Symphony Orchestra
- Wind Ensemble
Vocal Ensembles
- Campus Choir
- Choral Union
- Chorale
- Evangelistic Singers
- Ladies of Lee
- Lee Singers
- Men’s Chorale
- Musical Theatre
- Opera Theatre
- Voices of Lee
Other
Lee University School of Music is an accredited institutional member of the National Association of Schools of Music (NASM). NASM has been recognized by the United States Department of Education as the agency responsible for the accreditation of all music curricula.
Want a Scholarship?
Lee University offers a wide variety of scholarships for all our schools and programs.
This program prepares students for professional careers in concert performance, graduate-level studies, and/or studio teaching. Students study specialized pedagogy, literature, as well as the music core of theory, history, and analysis. This highly selective program is suitable for students with exceptional talent and experience who seek classically-based training with significant study in their primary instrument.
Applied Music Study: Music study at Lee includes individual concentration in an applied performance area including piano, voice, guitar, strings, percussion, and all wind instruments. This is provided through private instruction on the specific instrument throughout the course of the degree program. Performance is also emphasized through experiences in instrumental and/or vocal ensembles and chamber music opportunities.
Career Opportunities
Music Performance, Instrumental
- Band Director
- Orchestra Conductor
- Performing Artist
- Professional Orchestra Member
- Contemporary Artist
- Music Historian
- Music Theorist
- Organist
- Member of a Professional or Military Band
Music Performance, Piano
- Collaborative Pianist
- Concert Pianist
- Performing Artist
- Contemporary Artist
- Music Historian
- Music Theorist
- Organist
Music Performance, Vocal
- Opera Singer
- Worship Leader
- Choral Director
- Performing Artist
- Contemporary Artist
- Music Historian
- Music Theorist
- Professional Choral Singer
What to Expect
Hub/Support/Tutoring
HUB
Travel/Global Trips
- Music History Global Perspectives Trip
- Japan Global Perspectives Trip
- Domestic and International Ensemble Tours
- Schumann Liederfest in Zwickau, Germany
Club/Social
- The National Association for Music Education (Collegiate Chapter)
- Lee University Percussive Arts Society
- Commercial Music Society
- American Choral Directors Association
- Composer's Forum
- Phi Mu Alpha (Sinfonia)
Awards/Honors
- Pi Kappa Lambda Music Honor Society
- Dean’s Student Advisory Council
- Presser Foundation Undergraduate Scholar Award
- Senior Honors Recital
- Concerto Competition
Service
Service learning is embedded in several courses. Art students have many service opportunities in graphic design, teaching art lessons, painting murals, and creating portraits for people in undeserved communities.
Capstone
The Capstone course is designed to help graduating students integrate their faith with the academic knowledge they have gained throughout their studies. It is regarded as the final reflection of the essential Core Values of Lee University.
Home/Location
The School of Music operates in teaching and performance spaces around campus. As a music major each student has the opportunity to study and perform in wonderful surroundings including:
- Curtsinger Music Building offers classrooms, instrumental and choral rehearsal rooms, private lesson studios, practice facilities, dedicated piano and harpsichord practice rooms, Music Resource Center, and Class Piano Lab.
- DeVos Center for the Humanities contains the Squires Recital Hall, private lesson studios, music education classroom, practice, and facilities.
- Pangle Hall has Pangle Hall Performance Hall, ensemble rehearsal rooms, private lesson studios, and practice rooms.
- Students may also utilize the Studio, a state of the art recording studio, music technology lab, and student project work spaces.
Final Recitals / Final Projects
Each graduate of the School of Music completes a culminating project that aligns with the purposes and goals of the specific degree program. Students with the bachelor of music in performance will complete a 30-minute junior recital and 60-minute senior recitals.
Arts/Performance
Performance is at the heart of the experience in the School of Music. This takes the form of solo performance opportunities, ensemble performances, ministry tours, and opportunities to attend recitals both on campus and in the community. The university provides exceptional musical experience on campus each semester including:
- Weekly Performance Seminar
- Student Junior and Senior Recitals
- Presidential Concert Series
- Performing Arts Series
- Faculty Recitals
- Visiting Artists Masterclasses
Performance space
- Pangle Hall (seating capacity 650)
- Conn Center for the Performing Arts (1700)
- Squires Recital Hall (215)
- Dixon Center (490)
- The Chapel (300)
Instrumental Ensembles
- Brass Choir
- Chamber Strings
- Handbell Ensemble
- Jazz Ensemble
- Percussion Ensemble
- Saxophone Choir
Small Jazz Combos
- Symphonic Band
- Symphony Orchestra
- Wind Ensemble
Vocal Ensembles
- Campus Choir
- Choral Union
- Chorale
- Evangelistic Singers
- Ladies of Lee
- Lee Singers
- Men’s Chorale
- Musical Theatre
- Opera Theatre
- Voices of Lee
Other
Lee University School of Music is an accredited institutional member of the National Association of Schools of Music (NASM). NASM has been recognized by the United States Department of Education as the agency responsible for the accreditation of all music curricula.
Want a Scholarship?
Lee University offers a wide variety of scholarships for all our schools and programs.
This program is designed for the student who is seeking a broad experience in music with the flexibility to customize their program to include interest areas inside and outside of the field of music. There is sufficient discipline-specific work to develop musical skills as an individual performer and within the context of ensemble performance. This program contains enough flexibility to pursue a second major or the addition of a minor concentration.
Applied Music Study: Music study at Lee includes individual concentration in an applied performance area including piano, voice, guitar, strings, percussion, all wind instruments, and composition. This is provided through private instruction in the specific area throughout the course of the degree program. Performance is also emphasized through experiences in instrumental and/or vocal ensembles and chamber music opportunities.
Career Opportunities
Music, Instrumental
- Professional Orchestra Member
- Composer
- Film Composer
- Video Game Composer
- Contemporary Artist
- Member of a Professional or Military Band
- Music Historian
- Music Theorist
Music, Piano
- Collaborative Pianist
- Concert Pianist
- Contemporary Artist
- Organist
- Music Historian
- Music Theorist
Music, Voice
- Opera Singer
- Worship Leader
- Contemporary Artist
- Professional Choral Singer
- Music Historian
- Music Theorist
What to Expect
Hub/Support/Tutoring
HUB
Travel/Global Trips
- Music History Global Perspectives Trip
- Japan Global Perspectives Trip
- Domestic and International Ensemble Tours
- Schumann Liederfest in Zwickau, Germany
Club/Social
- The National Association for Music Education (Collegiate Chapter)
- Lee University Percussive Arts Society
- Commercial Music Society
- American Choral Directors Association
- Composer's Forum
- Phi Mu Alpha (Sinfonia)
Awards/Honors
- Pi Kappa Lambda Music Honor Society
- Dean’s Student Advisory Council
- Presser Foundation Undergraduate Scholar Award
- Senior Honors Recital
- Concerto Competition
Service
Service learning is embedded in several courses. Art students have many service opportunities in graphic design, teaching art lessons, painting murals, and creating portraits for people in undeserved communities.
Capstone
The Capstone course is designed to help graduating students integrate their faith with the academic knowledge they have gained throughout their studies. It is regarded as the final reflection of the essential Core Values of Lee University.
Home/Location
The School of Music operates in teaching and performance spaces around campus. As a music major each student has the opportunity to study and perform in wonderful surroundings including:
- Curtsinger Music Building offers classrooms, instrumental and choral rehearsal rooms, private lesson studios, practice facilities, dedicated piano and harpsichord practice rooms, Music Resource Center, and Class Piano Lab.
- DeVos Center for the Humanities contains the Squires Recital Hall, private lesson studios, music education classroom, practice, and facilities.
- Pangle Hall has Pangle Hall Performance Hall, ensemble rehearsal rooms, private lesson studios, and practice rooms.
- Students may also utilize the Studio, a state of the art recording studio, music technology lab, and student project work spaces.
Final Recitals / Final Projects
Each graduate of the School of Music completes a culminating project that aligns with the purposes and goals of the specific degree program. Students with the bachelor of music in performance will complete a 30-minute junior recital and 60-minute senior recitals.
Arts/Performance
Performance is at the heart of the experience in the School of Music. This takes the form of solo performance opportunities, ensemble performances, ministry tours, and opportunities to attend recitals both on campus and in the community. The university provides exceptional musical experience on campus each semester including:
- Weekly Performance Seminar
- Student Junior and Senior Recitals
- Presidential Concert Series
- Performing Arts Series
- Faculty Recitals
- Visiting Artists Masterclasses
Performance space
- Pangle Hall (seating capacity 650)
- Conn Center for the Performing Arts (1700)
- Squires Recital Hall (215)
- Dixon Center (490)
- The Chapel (300)
Instrumental Ensembles
- Brass Choir
- Chamber Strings
- Handbell Ensemble
- Jazz Ensemble
- Percussion Ensemble
- Saxophone Choir
Small Jazz Combos
- Symphonic Band
- Symphony Orchestra
- Wind Ensemble
Vocal Ensembles
- Campus Choir
- Choral Union
- Chorale
- Evangelistic Singers
- Ladies of Lee
- Lee Singers
- Men’s Chorale
- Musical Theatre
- Opera Theatre
- Voices of Lee
Other
Lee University School of Music is an accredited institutional member of the National Association of Schools of Music (NASM). NASM has been recognized by the United States Department of Education as the agency responsible for the accreditation of all music curricula.
Want a Scholarship?
Lee University offers a wide variety of scholarships for all our schools and programs.
Resources
Berlin Philharmonic Digital Concert Hall –– Subscription to the Berlin Phil’s Digital Concert Hall grants you access to about 40 years of concerts and live-streamed events.
boosey.com –– Boosey and Hawkes (publishing company) now offer a broad collection of digital sheet music, in addition to their comprehensive collection of print music.
charlottekies.com –– Dr. Kies’ website contains supplemental resources, her biography, press information, and a history of her performance engagements and other professional activities.
clarinet.org — The International Clarinet Association official website. Registration grants access to the Clarinet Journal and its digital archives, attend annual festivals, participate in competitions, and access other resources.
clarineat.com –– The official website for the world's most popular clarinet podcast, hosted by clarinetist Sean Perrin. Listen to interviews with guests on the show discussing subjects related to the clarinet, music business, and more.
clarinetinstitute.com –– The Clarinet Institute contains a collection of free, downloadable clarinet sheet music for solo clarinets, duos, trios, quartets, and a few other instrument combinations.
higheredjobs.com –– A website where you will find recent job postings for academic jobs in higher education, including faculty and staff positions.
imslp.org –– IMSLP is where you can find free PDFs of sheet music that is in the public domain.
justforwinds.com –– Just for Winds is an online store that specializes in wind repertoire. You can use this to search for music specifically for the clarinet, and the auxiliary instruments including the bass, contrabass, and e-flat clarinets.
(In order of difficulty)
Galper, Avrahm. Clarinet Method Book 2. Mel Bay Publications.
Hite, David. Melodious and Progressive Studies for Clarinet. Southern Music Company.
Rose, Cyrille. 32 Etudes for Clarinet. Carl Fischer, LLC.
Polatschek, Victor. Advanced Studies for the Clarinet. G. Schirmer.
Thurston, Frederick. Passage Studies, Book 1 - 3. Boosey & Hawkes.
Blancou, Victor. 40 Etudes for Clarinet, Vols. 1 -3. Alphonse Leduc.
Cavallini, Ernesto. 30 Caprices for Clarinet. Ricordi.
Rose, Cyrille. 40 Studies for the Clarinet. Carl Fischer, LLC.
Uhl, Alfred. 48 Etudes for Clarinet, Vols. 1 - 2. Schott Music.
JeanJean, Paul. Progressive and Melodic Etudes for the Clarinet, Vols. 1 - 3. Alphonse Leduc
Galper, Avrahm. Tone, Technique, and Staccato. Mel Bay Publications.
Guy, Larry. Embouchure Building for Clarinetists. Rivernote Press.
Klose, Hyacinthe. Celebrated Method for the Clarinet. Carl Fischer, LLC.
Langenus, Gustave. Complete Method for the Clarinet, Vols. 1 -3. Carl Fischer, LLC.
Küffner, Joseph. Fifty Progressie Duets. Carl Fischer.
Pleyel, Ignaz Joseph. Six Original Duos for 2 Clarinets. Edition Peters.
Voxman, Himie. Selected Duets for Clarinet, Vols. 1 - 3. Rubank Publications.
Baermann, Carl. Foundation Studies. Southern Music Company.
Galper, Avrahm. Upbeat Scales and Arpeggios. Mel Bay Publications.
Klug, Howard. The Clarinet Doctor. Woodwindiana Publications.
JeanJean, Paul. Vade mecum. Alphonse Leduc.
Opperman, Kalmen. Elementary Velocity Studies for the Clarinet. Carl Fischer.
Opperman, Kalmen. Intermediate Velocity Studies for the Clarinet. Carl Fischer.
Opperman, Kalmen. Advanced Velocity Studies for the Clarinet. Carl Fischer.
Opperman, Kalmen. Virtuoso Velocity Studies for the Clarinet. Carl Fischer.
Stubbins, William. Essentials of Clarinet Dexterity. George Wahr Publishing Co.
Hoeprich, Eric. The Clarinet. Yale University Press.
McGill, David. Sound in Motion: A Performer’s Guide to Greater Musical Expression. Indiana University Press.
Pino, David. The Clarinet and Clarinet Playing. Dover Publications.
Rolf, Sheri Lynn. “The Structure and Movement of Clarinet Playing.” The Ohio State University.
Weston, Pamela. Clarinet Virtuosi of the Past. Emerson Edition Ltd.